Ramin Djawadi provided the first MCU music with his original score for Iron Man in 2008. Alan Silvestri was the first composer to work on multiple MCU films, while Brian Tyler was the first composer to reference the work of another MCU composer when he quoted Silvestri's "Captain America March" in his score for Thor: The Dark World (2013) and he composed the previous fanfare for the Marvel Studios production logo from 2013 to 2016. Michael Giacchino has scored five MCU films, the most for any composer in the franchise, and composed the fanfare that has been used for the Marvel Studios production logo since 2016. Original music has also been composed for the Marvel One-Shots short film series and other related MCU projects, and original songs have been created specifically for use in the franchise.
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Doyle took inspiration for the score from his own Celtic background, which he described as "very intertwined" with the Norse mythology that Thor is based on, as well as the works of Richard Wagner. He found the main challenge of the score to be composing a "superhero theme" for the titular character, and a second main theme representing Asgard, the latter of which Doyle wanted "to come across as an old folk song from a Celtic world". He noted that the Asgard theme develops throughout the film to also represent traveling, action, and fighting. Of the other themes he composed for the film, Doyle also noted a theme for Jotunheim, another world visited in the film. On specific instrumentation for the character of Thor, Doyle jokingly noted that a piccolo would be inappropriate, and that a character with such a big personality and physicality required "a slightly more robust set of musical instruments: horns, low brass, slow strings etc." To represent the character's longing for home after he is banished from Asgard to Earth, Doyle used a cor anglais, which he felt also captured Thor's pathos and nobility.[11]
With Iron Man 3 featuring a post-Avengers Tony Stark, Marvel and incoming director Shane Black wanted to move away from the rock sound of the previous Iron Man films,[20] and towards "a score that echoed the classics of super hero film history",[21] for which they approached Brian Tyler, a Marvel fan whose previous music had often been used in temp scores for other films by the studio. Tyler stated that Marvel was interested in him for his more thematic work from the likes of The Greatest Game Ever Played, Annapolis, and Partition, rather than his "modern" action music such as that for The Fast and the Furious films and Battle: Los Angeles, and wanted him to combine the energy of the latter with the sensibilities of the former. In addition to the classic orchestra, Tyler recorded metallic sounds such as anvils being hit to add an element of "iron" to the score. As a nod to the previous Iron Man composer's use of guitars, Tyler added instances of the orchestra performing Black Sabbath-like riffs throughout the film.[20]
Tyler stated that his usual approach to taking over a franchise from another composer is to "try to take from what's before me and also forge ahead".[53] So, though Tyler "was really married to" the idea of reprising Silvestri's Avengers theme from the first film in the sequel and wanted to keep in-line with "the language of what Alan had done in The Avengers",[55] he instead began by composing a "classic, epic" suite of his own for the film. Titled "Rise Together", Tyler said that it "is much more about pageantry and a march, and there's a slight militaristic aspect. I tend to stay away from that, but I felt that that, combined with a choir, would make them feel larger than life. And certainly, this is when they're 'rising together,' so you need to have that unifying heroic theme with them."[53] Elfman then took Silvestri's theme and "pulled it into" the new material for the sequel to make a "kind of a hybrid" theme for the film.[56] Tyler also reprised his own Iron Man and Thor themes in the score, as well as previous Captain America material, "in order to create a similar musical universe",[50] especially since those character's post-Avengers solo films "set up" Age of Ultron.[55]
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