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In our weekly series Anatomy of a Scene's Anatomy, we're going to be taking a look at (in)famous sex scenes and nude scenes throughout cinema history and examining their construction, their relationship to the film around them, and their legacy.This week's gonna be a fun one because we've got the tale of one of the great American masterpieces of the late 80s, Road House, and how Bill Murray and his "idiot brothers" have made Kelly Lynch's life a living hell because of her sex scene in the film with the late, great Patrick Swayze.
road house sex scene
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It's moments like this one, and the "be nice, until it's time to not be nice" speech, and the "I used to fuck guys like you in prison" insult, or the way Swayze proceeds to rip that dude's throat out that make Road House the masterpiece that it is. The supporting cast, including Sam Elliott, Ben Gazzara, Kevin Tighe, and the late musician Jeff Healey, are all top notch, adding to the film's appeal across a broad spectrum.
It seems like just yesterday we were talking about Bill Murray and his reputation for being Bill Murray. Oh wait, that was just yesterday? Well already today we have another story about Bill Murray and his repeated efforts to be the best ever. Enter his heckling of Kelly Lynch for her 'Road House' sex scene.
It seems like just yesterday we were talking about Bill Murray and his reputation for being Bill Murray. Oh wait, that was just yesterday? Well already today we have another story about Bill Murray and his repeated efforts to be the best ever. Enter his heckling of Kelly Lynch for her 'Road House' sex scene.\nRead More
Actor Patrick Swayze isn't thought of as a vocalist, though he sang "She's Like the Wind" with Wendy Fraser on 1987's Dirty Dancing soundtrack and intentionally inflicted his dreadful rendition of "I'm Henry VIII" on Whoopi Goldberg and 1990's Ghost movie (thankfully, failing to make it onto the soundtrack to that film). So the surprise here is that, under the guiding hand of David Kershenbaum, he sounds like a clone of Bryan Adams on songwriter Willie Nile's very '80s "Raising Heaven (In Hell Tonight)." The Road House film and its subsequent companion long-player came a year after John Cafferty & the Beaver Brown Band released their album of the same name, so maybe it was an intentional Arista marketing attempt to get some of that Eddie and the Cruisers luster by way of Dirty Dancing, or maybe this was just the expected image of the 1980s. It's always nice to hear the Jeff Healey Band, which starts the festivities off with a somewhat interesting cover of the Doors' "Roadhouse Blues." Hardly as menacing as Jim Morrison (or even Blue Öyster Cult), it appropriately slips into title-track status with Jimmy Iovine's bar band production. Bob Seger does a respectable cover of Fats Domino's "Blue Monday," but it too sounds like fade-into-the-background area musicians having some fun on a Friday night. Of the ten songs here, the only thing that really breaks on through is Otis Redding performing his own "These Arms of Mine." Little Feat is fun with "Rad Gumbo" and Jeff Healey finally flexes his muscles on Dylan's "When the Night Comes Falling from the Sky," the third of Healey's four entries. It has that something extra missing from his earlier jaunts and Seger's track. Austin singer Kris McKay is a surprise on Maria McKee's "A Good Heart," getting a chance here prior to her What Love Endures album debut on Arista, which came the year after this. Swayze closes things out with another big '80s David Kershenbaum sound on "Cliff's Edge," a tune he actually co-wrote. Surprisingly, it's not a bad song and features -- believe it or not -- the album's best hook. This didn't do for Jimmy Iovine what the Dirty Dancing soundtrack did for Jimmy Ienner, and with Seger, Healey, Little Feat, and Otis Redding on board, a lot more was expected of it. When Patrick Swayze writes the best hook on an album you're on, it's pretty obvious that Road House was just another gig.
Swayze always radiated sexy confidence on screen. As a professionally trained dancer he seemed supremely confident in his body, most notably in 1987's Dirty Dancing. Two years later, after it made him an international superstar, he flashed even more flesh in the riotously trashy Road House, which is on TV tonight. Playing a professional 'cooler', aka nightclub bouncer, the hunky star had plenty of shirtless scenes as well as some extremely passionate moments with co-star Kelly Lynch. Rather like Dirty Dancing's Cynthia Rhodes, she bore a striking resemblance to his wife, Lisa, who had to step in and help at a crucial moment.
AZNude Men has a global mission to organize celebrity nudity from television and make it universally free, accessible, and usable. We have a completely free archive of nude male celebs and movie sex scenes. Our gay content includes naked celebs, dick and penis pics, hot scenes from movies and series, and nude celeb videos.
Parents need to know that Road House is a 1989 Patrick Swayze vehicle that shows off the actor-dancer's physical attributes and skills throughout a plot designed to provide maximum fight scenes within a fairly generic plot. The atmosphere is crude, vulgar, and violent. As a night club bouncer, he and the people he hangs out with are prone to brawls. Drunks start them and he ends them. Plus, a rich thug is shaking down every business in town and doesn't hesitate to use violence to keep everyone in line. Language includes "f--k," "s--t" and "c--ksucker," and adults smoke cigarettes, peddle drugs, drink to excess, have sex (breasts and butts are seen), and hit each other. A man tells another guy that for "twenty bucks," he can kiss his girlfriend's breasts. A woman does a striptease. A man offers to get "nipple to nipple" with a woman. A man is stabbed to death. The knife is left in his chest, surrounded by blood.
Teens probably won't have much interest in this '80s cult classic. After a just a few minutes into Road House, as choreographed fights keep coming, and the conflicts between coarseness and refinement keep repeating, it feels as if the movie is a kind of deliberate in-joke shared by the filmmakers. They made a movie that is a succession of fight scenes, strung together, one after another, like flowers in a lei. A flimsy plot provides the string to hang the fights from. This minimizes the need for everything else in the film, including the relationship between the beautiful Kelly Lynch character and the beautiful Patrick Swayze character, and the friendship between the older bouncer portrayed by Sam Elliott and his protégé the younger bouncer.
The guiding spirit of "Road House" can be glimpsed in one particular scene, which is set in the trophy room of an evil sadist who holds a helpless town in his iron grasp. His hunting trophies include not only the usual deer and elk and antelopes, but also orangutans, llamas and a matched set of tropical monkeys. This guy went hunting in the zoo.
(These two houses, on either side of a river, seem to be the only homes in town, and most of what goes on in each house seems to be staged for the benefit of the other.) Dalton sees he needs help to clean up the bar. So he calls in his best friend, Wade Garrett (Sam Elliott), who is the second-best barroom bouncer in the world. (Note to cable TV operators: The world finals of bouncing might pull in decent ratings.) This upsets Wesley no end, since his income depends on maintaining an iron rule of terror over the local townspeople.
"Road House" is said to be based on an actual case in Missouri where the local bad guy, universally hated by everyone in town, was murdered in broad daylight - and no one in town seems to have seen a thing. If that is the genesis for the story, everything else in it seems to have come from a cheerful willingness to go over the top in every way possible.
Those years under his mother would prove crucial, as he made his first inroads into Hollywood after landing the lead role in a Broadway rendition of 'Grease', where his performance forced many to stand up and take notice.
But below the surface, he was bubbling with insecurity that would act itself out in the most delicate circumstances. While he was considered a man who oozed sexuality, Swayze reportedly had a problem acting out sex scenes, according to the new REELZ documentary 'Patrick Swayze: Ghosts and Demons.'
It's claimed in the documentary that Swayze's wife, Lisa Niemi, took a keen interest in her husband's sex scenes, especially the one he acted out with Lynch, possibly because of the actress's likeness to her.
Road House is a 1989 American action film directed by Rowdy Herrington and starring Patrick Swayze as a cooler at a newly refurbished roadside bar who protects a small town in Missouri from a corrupt businessman.[4] Sam Elliott co-stars as a bouncer, the mentor, friend, and foil of Swayze's character. The cast also includes Kelly Lynch as Swayze's love interest and Ben Gazzara as the main antagonist.
Wesley summons Dalton to his home and reveals knowledge of Dalton's past regarding an incident in which he killed a man in self-defense by ripping his throat out. Wesley tries to convince Dalton to work for him once he extorts the Double Deuce but Dalton declines. Wesley increases his attack on the club and begins to sabotage other businesses that disobey him. After Wesley's henchman Jimmy Reno sets Dalton's house on fire, he kills him in self-defense, shocking Elizabeth. 2ff7e9595c